They were a family of hereditary scribes and literary men in Fermanagh.
Or fake art, if you will.
Fake Art The problem is that the producers of fake art, be that writing, painting, dancing, sculpting, architecture, fashion or cookery, are usually very adept at trying to hide the lack of ENERGY or true existence in their Frankenstein's Monsters in various ways from the general public, and even manage to confuse fellow artists and art critics.
One of these tactics is to get very good at the mechanics of art and try to blind the audience with craftsmanship. That doesn't make it art however; and such things don't stand the art "test of time" of which I will take more later.
Another tactic to confuse the unwary and unwitting is to make something so insane, obscure and bizarre, that the conscious minds of the others just simply don't understand it any longer, and as members of today's societies are still entrained to rather believe that it is THEY who are lacking, that it is THEY who are too stupid to understand this thing instead of saying, "Hey!
That guy's got no clothes on! There is often great collusion between business people of their day and what fake art they can sell to those who rely on their opinions, for as high a price as possible; and then we have investors who have no contact with the work of fake art at all just buying it as a money making exercise or a tax dodge, and because they pay so much, the fake art is made to look like real art, and no-one wants to rock the boat on the topic of art, lest they should lose millions.
Now these are the ways of the fake artists and those who are in collusion with them; these, let us remember, are Dr Frankensteins, who do not have any original ideas, no sparks of creativity, and no purpose for their art beyond convincing others that they are indeed, artists!
These are the people who make art with the conscious mind alone. As a real artist and someone who produces true works of art, you need more than just the conscious mind to lift you out of the realms of fake art, and into the realms of real art, which is magic incarnate in the true sense of the word.
In order to do that, you need to be in contact with your energy mind. These ideas are a data stream of information of high density, and come in full modalities, meaning that they have the same qualities as a lucid dream - complete with visions, hearing, knowing, and most of all, WITH FEELING.
In our modern definition, feelings or emotions physical sensations that do not have a physical cause are feedback devices from the energy body.
This is our true 6th sense, and everyone has this sense. When something has an energetic existence, the energy body can feel it and reacts by changing state which we consciously interpret as emotions. This is what happens when someone looks at a piece of art and feels laughter bubbling up inside of them, or someone listens to a piece of music and the tears rush up from "nowhere.
It's unfortunate because in the absence of counterbalancing experiences, a person who was traumatised injured! That's not just unfortunate, that's even hideous. But what is important to note here that if you don't feel it, it ain't art, quite simply put.
Strong broadcasters of energy WILL produce a reaction in human beings, and in fact will produce a universal reaction that is global to the human race, and transcends culture, societies, local populations and their various preferences.
True art is globally human, and that is another way in which we can "test" whether something is art or not, and even know in advance if a piece of art will "stand the test of time" and remain valid as fashions and cultures change from this, to that.
So how do you create true art?
Then how and why has it gone so hideously wrong? The answer lies in the fact that the human being is a new design coming out of evolution. Before us, as far as we know, there were no "consciously aware" creatures, and we haven't got to grips properly with how our hardware works yet, and using the wrong operating systems of thought, symbol, number and language.
This has led to a real and practical split between the conscious mind and the energy mind previously known as the unconscious or subconscious mind, and even those words give us a big clue on what happened here! The shamans of old hung themselves from trees by their nipples to knock the conscious mind out of the way with pain so they could finally "break through" into the realms of the energy mind.
All manner of poisonous substances, from peyote to absinth, from alcohol to opium, and from LSD to amphetamines, have been used for the same purpose by artists looking for inspiration across the ages.
Of course, each substance leaves their own slant on such attempts to "get the vision, get the idea, get the next inspiration". Amphetamine visions are always classic Bauhaus, crystalline, square, cold and grand and so is the resulting art; LSD based art is always melting, morphing and very colourful; peyote and magic mushrooms always produce visions of organic systems that are all interconnected and evolving; opium based art is nightmarish, dark and convoluted.
Artists across the ages have used emotional pain to "break that barrier between the two minds" and have deliberately self mutilated themselves emotionally the energy body version of hanging from a tree by your nipples until you finally find enlightenment!
All of that is just silly.What Is Art? Professor Whitcombe writes: Today, the question What is Art? is not easily answered. According to William Rubin, director of the Museum of Modern Art in .
Wuthering Heights Overview. The story of Wuthering Heights describes societal expectations, human emotions, and personal trials. however, Nora Helmer sees a negative link between her husband Torvald and her dead father when she has an epiphany about her past and present.
The genre of horror has ancient origins with roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person.
These were manifested in stories of beings such as witches, vampires, werewolves and srmvision.coman horror fiction became established through works by the Ancient Greeks and Ancient Romans.
Is Wuthering Heights a novel about love? If so, what kind? If not, what is its primary theme?
2. Although Nelly and Lockwood are the primary narrators, other characters get to narrate a chapter or two, though Edgar does not. What effect does the lack of insight into his character's point of view have on Wuthering Heights?
3. The story of Wuthering Heights describes societal expectations, human emotions, and personal trials. The following questions review sections of the book and help your students discuss the characters and events of the story.